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Further, 95% of classic film songs are owned by Saregama, so it enjoys a monopoly in this respect. In most cases, filmmakers became aware of the hefty price only at the stage of inserting audio, after they had shot the movie. Some chose not to use the classics and instead composed new music altogether for that particular sequence, which is a lot less expensive compared to buying copyright for classic songs. The owners of the label declined to disclose their reasons for drastically increasing the costs.
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